| Info
 |  | 
 
  An introduction to the physics and digital technology of sound
  and music.  
  Topics will include waves, resonance, sampling,
  overtones, harmonic analysis, computer file formats, and
  editing as well as more specialized topics such as human
  hearing, electronic music, room acoustics, and signal
  processing, depending on students' backgrounds and
  interests. 
  Expect weekly textbook work, a number of hands-on
  activities, and at least one substantial project.
  Grading will be based on homework (40%), 
  project(s) (40%) and class participation (20%).
 
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| Tentative Syllabus
 
        Tues/Fri   week   chapter/topic               calendar
  ----------------------------------------------------------------------
  Sep   2,   3     1      
        7,  10     2      1       basic physics (T)
       14,  17     3      2       waves         (T)
       21,  24     4      3       vibrations    (T)
       28,   1     5      4       resonance     (T)
  Oct   5,   8     6      5-6     decibels      (?)   mid-term grades due
       12,  15     7      7       pitch         (?)
            22,    8      8       fourier       (?)   Hendrick's days
       26,  29     9      9       music, tuning (?)
   Nov  2,   5    10     18-19    E&M           (J)
        9,  12    11     20       speakers/mics (J)
       16,  19    12     21       digital music (J)
       23                22       recording     (J)   thanksgiving
       29,   3    13              student projects
  Dec   7         14              student projects
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| Assignments
 
for  Friday October 8for Friday September 3
  
    Send Jim (mahoney@marlboro.edu)
        an email telling me you're registering for this class.Browse through chapter 1 in the text.
  for Friday September 10
  
    Exercises 2, 5, and 8 in the text, on pages 19 and 20.
      You throw a ball straight up in the air.  Draw graphs of its (a)
      height as a function of time, (b) its velocity as a function of
      time, (c) its acceleration as a function of time, (d) its
      kinetic energy as a function of time, and (e) its gravitational
      potential energy as a function
of time.  (Show the stretch of
      time between when you throw it and when it hits the ground.
      Include as many accurate details as you can.)  Now draw the same
      set of graphs assuming that, on its way up, the ball runs into
      and bounces off the ceiling.  (Again, include as much detail as
      you can, and mention any assumptions you are making.)
    
      Explain, referring to F=ma, why the pressure in a fluid has to
      decrease with height.
    for Friday September 17
  
    Exercises 1 and 3 (page 37 -- make sure you're looking at the 
        Exercises and not the Questions or Experiments or...)Questions for Thought and Discussion, number 3:  With the help
        of Figures 2.10 and 2.12, make a diagram of the four independent
        longitudinal modes of vibration for a four-mass vibrator.Play around with the oscillating-string java applet here:  
        String Applet.
        Explain in as much detail as you can (and with reference to 
	pages 30-35 of the book) what the string does and how it works. for Friday September 24
  
    Look at and be able to answer all of the Review Questions... but 
        you don't need to turn in written answers."Questions for Thought and Discussion" #3.
    "Questions for Thought and Discussion" #5.
    Exercises 2 and 3
    Exercise 4
    Exercise 6
    Exercise 9
   for  Friday October 1
  
    Again, look at and be able to answer all of the Review Questions.
        You don't have to turn in written answers for them, but, if you
        can't answer them, that means you aren't reading the text... andreading the text is an important part of your homework each week!Create or find a damped oscillator.  Play around with it.  What is
        the resonant frequency?  What happens if you try to drive it at a
        frequency below the resonance?  Above?  Are you driving it with a
        sinusoidal applied force, or an impulsive force?  What is the phase 
	relationship between the oscillation and the driving at, below, and
        above the resonance?  What else do you observe that's interesting?
        Write about a 1-page summary of your findings.  (Suggestion:  there's
        a tire swing in front of Out Of The Way that would make for a nice
	oscillator.)Exercises 1, 2, 3, 4, and 6 from Chapter 4. 
    for  Friday October 15Read chapters 5 and 6 in the text.
        In particular, 
	make sure you have a reasonable idea 
        of what a decibel (dB) is
        what a logarithm is, how they relate
        to sound power, intensity, pressure, 
        and what all that has to do with how 
	we perceive loudness.  You should also
        be able to discuss how the ear works.As before, review the Review Questions to 
        get some feeling for what was in the text.Do exercises 2, 5, and 8 from chapter 5.Do exercises 3,4,5, and 8 from chapter 6.
   
    for Friday October 22 (Hendrick's days)Read chapters 7, 8, and 9 in 
        the text on pitch, music notation,
	and tempered tuning.   We'll be 
	finishing this material by the 
	22, but only have one class left.
	Make sure you understand how to 
	find frequencies for the pitches
	in the modern equal temper system,
	e.g. n half-steps above A 400
	is f=400*2**(n/12).As before, review the Review Questions to 
        get some feeling for what was in the text.Do exercise 11 from chapter 7.Do exercises 4 and 5 from chapter 9.Jim talked about in class how a piano tuner
      would tune a piano by counting the "beats" 
      between overtones after hitting two notes.
      Suppose A 440 Hz has been already been tuned, 
      and the E above that is adjusted to its equal 
      tempered tuning  frequency.  Which overtones of those two
      notes are nearly the same?  
      How many beats per second should the tuner look for 
      when these two keys are hit at the same time?
    Using the explanation of "Just" temperament 
       in chapter 9, find the frequencies of a major
       just scale and an equal tempered scale, 
       starting at C4=261.63 Hz.  Which notes differ
       the most?  Use the program "Audacity" (installed on
       all the lab computers; available for free
       online - search Google for Audacity) to 
       generate notes for the two major
       scales in the previous problem, say,
       1 second per note.  (Simplest is to 
       select part of a track, then use the
       "Generate/Tone" menu to fill it with
       a sine, square, or triange wave.)
       Can you hear the difference in the scales?
       Which do you like better, and why? 
    for Friday October 29Finish reading the chapters 7,8,9 on pitch. Hand in a written proposal describing what you'd like to do for your term project. 
    for Friday Nov 12Finish reading chapters 18, 19, and 20 on circuits, speakers, and mics
    Hand in written answers to Chapter 18 "Questions For Thought and 
        Discussion" numbers 3, 5, and 6
    Give us an update on your project.  Remember, you should probably be
        working on it about 5 hours a week for the rest of the semester.  Let
        us know what you've accomplished in that 5 hours this week.
    See below for a link to the Fourier Series applet we played with
        in class, should you wish to play around with it some more.
   
 for Tues Nov 16Discuss and work on your project in class 
    for Tues Nov 23Read chapter 21, on electronic musicBrowse the links in the notes Jim showed on TuesExplore at least one of the software applications mentioned in class;
        be ready to report on what you did. 
    Last weekly assignment! 
    Browse chapter 29, on computer musicBrowse chapter 23, on room acousticsBrowse chapter 15 (and possibly beyond), on human speechChoose at least 3 exercises from the end of the chapter
        of any of these, and come to class on Tuesday ready to 
        discuss what the issues are, and what you got. |